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Holly Herndon and Mat Dryhurst believe the future doesn’t have to belong to slop. By Spencer Kornhaber Photographs by Mattia Balsamini The art was way too heavy. In mid-March, the artists Holly Herndon and Mat Dryhurst were preparing an installation to coincide with the Venice Bien- nale, the prestigious international art festival, but the execu- tion was becoming tricky. They wanted to suspend sculptures of a trippy cityscape upside down from the ceiling of an 18th- century palazzo. But the construction material they envisioned— 3-D-printed sand—would weigh tons, which was more than the antique building could bear. The sculptures, they realized, might fall and crush someone. …
摘自《大西洋月刊》(The Atlantic)2026年8月8日,Spencer Kornhaber。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。