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《帝国》 2026年2月刊 · 中文解读

阿涅斯·瓦尔达的巴黎女性肖像

Agnes Varda's Parisian Portrait Of A Lady · Beth Webb
约 9 分钟The Empire Masterpiece在小程序里点播,20 到 60 分钟做好
这篇讲什么
本文回顾了阿涅斯·瓦尔达1962年的电影《五至七时的克莱奥》,该片以实时叙事描绘了一位流行歌手在等待活检结果期间穿越巴黎的旅程,探讨了死亡、美丽与女性凝视等主题。
原文开头
OF THE MANY visionaries to emerge from French cinema in the late 50s, only one woman reached legendary status. To clarify, Agnes Varda’s career pre-dates the Nouvelle Vague movement, though she was also one of its pioneers. Her work — often famed for blurring the line between documentary and fiction — long held space in a male-dominated industry, inspiring and invigorating generations until her death at 90 in 2019. Scorsese called her, simply, “one of the gods”. After an early career in photography, Varda made her first film La Pointe Courte — a convention-bending study of marriage in an impoverished fishing village — in 1955. …
摘自《帝国》(Empire)2026年2月刊,Beth Webb。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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