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《帝国》 第452期 · 2026年5月刊 · 中文解读

为《曼达洛人》配乐:路德维希·格兰森谈音乐创作

Settling The Score
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这篇讲什么
本文采访了作曲家路德维希·格兰森,他谈论了为《曼达洛人》创作音乐的过程,以及该音乐如何与约翰·威廉姆斯的经典《星球大战》配乐相区别。
原文开头
A long time ago, in a galaxy — okay, this galaxy — John Williams and Star Wars were inseparable. For over four decades, the music of the saga was synonymous with the legendary composer, whose classical symphonic style birthed instantly iconic themes. Then came The Mandalorian, and Ludwig Göransson. The outer-space Western series demanded a new sound that still felt distinctly like Star Wars, and the Swedish composer delivered an incredibly catchy main theme that ticked that box while also feeling fresh. Now, with Mando and Grogu set to make their cinematic debut, we catch up with Göransson to talk about bringing the music of The Mandalorian to the loudspeakers. …
摘自《帝国》(Empire)第452期 · 2026年5月刊。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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