原文开头
There wasn’t just a storm brewing. Spotted the wealth, greed, possession and deep-rooted, blood-boiling love. It’s a foundational text in mood and social critique, one that stirred controversy upon publication in 1847 for the cruelty and depravity depicted within its pages. And so it’s unsurprising that a filmmaker whose provocative work has sparked everything from an Oscar win (Promising Young Women) to semen-bathwater-inspired candles (Saltburn) would sink her teeth into a big-screen adaptation. …
摘自《帝国》(Empire)第452期 · 2026年5月刊。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。