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《帝国》 2026年11月刊 · 中文解读

《狂怒》:当电视逼问司法系统是否真的为幸存者而设

Furious · Leila Latif
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莉兹·梅里韦瑟的剧集《狂怒》讲述FBI探员爱丽丝追捕专杀权势男性的连环杀手凯瑟琳,凯瑟琳幼年曾被人口贩卖。梅里韦瑟的研究揭示,司法系统只想着把加害者送进监狱,却不管被贩卖者需要什么才能愈合。文章认为,这类剧集把残酷现实带进客厅,逼观众追问:那些机构当初是否真的被设计来帮助幸存者。
原文开头
LIZ MERIWETHER’S FURIOUS initially felt like Killing Eve-esque pulp, introducing us to FBI agent Alice (Emmy Rossum) and the young woman she’s chasing: Catherine (Lola Petticrew), a serial killer who is targeting powerful men. It’s wickedly entertaining, packed with gallows humour and cat-and-mouse thrills, even as it’s evolved into one of the most terrifying shows currently on TV. It arrives at an unnervingly apposite moment as the Epstein scandal continues to expose depraved networks of power, but with little tangible consequence for its many members. Furious illuminates dark chasms within this already cursed topography. …
摘自《帝国》(Empire)2026年11月刊,Leila Latif。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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