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《大西洋月刊》 第337卷 第1期 · 2026年1月1日 · 中文解读

昨日现代人的构想

Yesterday's Idea of a Modern Man · Michael O'Donnell
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本文探讨了剧作家兼演员山姆·谢泼德如何塑造并体现了一种独特的男性气质,以及他的作品如何反映对恐惧、家庭和男性身份的思考。
原文开头
Yesterday’s Idea of a Modern Man Sam Shepard, a self-made cowboy, was also a poet of masculine angst. By Michael O’Donnell Sam Shepard wasn’t born a cowboy. The actor and writer made himself into one. The dusty blue jeans, cattle drives, and folksy drawl suited his taciturn profile, giving Reagan-era America someone rugged to admire. Yet the people who knew Shepard best poked fun at his Western persona, which began to emerge in the 1970s and endured for the rest of his life. The singer and poet Patti Smith, a former paramour, called him “a man playing cowboys,” and Shepard indeed acted in a number of Westerns. …
摘自《大西洋月刊》(The Atlantic)第337卷 第1期 · 2026年1月1日,Michael O'Donnell。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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