原文开头
The road to Camp Miasma is one that only Jane Schoenbrun could walk down. “I remember feeling when we wrapped, ‘Oh my God, that was the first film that represents all of me,’” they tell Empire. That film, Teenage Sex And Death At Camp Miasma, is a psychosexual two-hander between Kris (Hannah Einbinder), a queer director tasked with revamping an outdated slasher franchise (itself called ‘Camp Miasma’), and Billy (Gillian Anderson), the reclusive actor who played the saga’s original Final Girl right from the start, decades earlier. …
摘自《帝国》(Empire)2026年8月刊。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。