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Inside Hollywood’s new obsession WORDS TOM ELLEN BIG-SCREEN HORROR has a long history of producing unlikely success stories — Night Of The Living Dead, The Blair Witch Project, Paranormal Activity: all were made for peanuts and went on to become some of the most profitable films of all time. But the current phenomenon surrounding Backrooms and Obsession may represent the genre’s most extraordinary underdog moment yet. The two indie movies — made for $10 million and $750,000 respectively — have bulldozed the global box office since their release in May, going toe-to-toe with mega-budget IP blockbusters such as Masters Of The Universe and Star Wars: The Mandalorian And Grogu. …
摘自《帝国》(Empire)2026年8月刊,Tom Ellen。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。