《披露日》：斯皮尔伯格再次仰望星空

IN HIS LAST movie, The Fabelmans, Steven Spielberg tenderly harked back to his childhood fascination with the glow of the big screen, and his nascent urge to conjure its profoundly enrapturing images. In his latest, Disclosure Day, he harks back to another juvenile obsession: the distant twinkle of the stars — his desire to discover what must — surely? — live among them. So, despite its outward appearance as a slick, kinetic thriller, Disclosure Day is in its own way just as personal and, surprisingly, empathetic a film as his last effort. Spielberg's pulse can be felt in every frame. Of course, he has indulged this particular fixation, with immense success, a few times previously. …