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《帝国》 第454期 · 2026年夏季刊 · 中文解读

星际穿越:克里斯托弗·诺兰的科幻史诗如何最终起飞

Interstellar: How Christopher Nolan's Sci-Fi Epic Eventually Took Off · Dan Jolin
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本文探讨了克里斯托弗·诺兰的电影《星际穿越》从最初票房和评论反响平平,到后来逐渐成为深受喜爱的作品的过程。
原文开头
THE ODYSSEY MAY be Christopher Nolan’s first literal epic, but in terms of narrative scale, or at least the distance spanned, Interstellar makes Odysseus’ journey look like a splash in a puddle. Nolan’s ninth film takes us from a blighted, suffocating Earth — a hard-scrabble agrarian dystopia where space travel is out of vogue — to a faraway galaxy, where potential new homes for humanity twinkle in the immense wake of a black hole. And then it ventures even further: outside of our four dimensions of space and time into a brain-scrambling extrasensory realm. No wonder Matthew McConaughey, who starred as space cowboy Cooper, described Interstellar as “the grandest adventure I think any of us will see on film”. …
摘自《帝国》(Empire)第454期 · 2026年夏季刊,Dan Jolin。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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