戏剧降临晚宴

YOU COULD NEVER call Olivia Wilde a one-trick filmmaker. In just three films, each new turn from the actor-turned-director has been stylistically, and tonally, different from the last. First there were the raucous high-school hijinks of Booksmart, then the ’50s-inspired dystopia of psychological thriller Don’t Worry Darling. With her third film, The Invite, Wilde turns to dark comedy, dissecting marriage through an intimate four-character chamber piece set over one calamitous dinner party. As a director, Wilde is inspired by the likes of Rob Reiner, Paul Thomas Anderson and Mike Nichols, all of whom have experimented with genre. …