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How she writes best sellers that are also critical darlings By Adam Begley How does she do it? Not just the neat trick of beguiling highbrow critics while at the same time pleasing millions of readers who don’t care about literary bona fides. The real feat is harpooning the reader artlessly (or so it seems), with language as plain as a Congregational church, a paucity of dramatic incident, and a cast of characters no more exotic than your neighbors. They aren’t exotic, her characters, but they’re quirky—some cantankerous, some bafflingly passive, all convincingly real. Thinking about them, I keep coming back to the bedrock of her work, what she has called “the singularity and mystery of each person.” …
摘自《大西洋月刊》(The Atlantic)第337卷 第6期 · 2026年6月6日,Adam Begley。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。