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The Centennial Exhibition of 1876 promised a glorious industrial future. Outside its gates, the country seethed with violence and corruption. By Jake Lundberg When the William Dean Howells, the editor of The Atlantic, wandered through Philadelphia’s Centennial Exhibi- tion of 1876 trying to make sense of a spectacle that defied description. Two wheels, one small, one large, seemed to tell the story of the great transformation on display. The small one was made of wood— an old spinning wheel set up in a rude log cabin meant to conjure colonial Plymouth. As Howells related, a re en actor playing the Mayflower pilgrim Priscilla Alden paused in her work to give an old Quaker woman a turn. …
摘自《大西洋月刊》(The Atlantic)第337卷 第6期 · 2026年6月6日,Jake Lundberg。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。