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《大西洋月刊》 第337卷 第3期 · 2026年3月3日 · 中文解读

丁尼生勋爵的疯狂

The Madness of Lord Tennyson · James Parker
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这篇讲什么
本文探讨了阿尔弗雷德·丁尼生勋爵在成为桂冠诗人之前,其诗歌创作如何受到当时科学思想的影响,以及他的诗作《莫德》如何展现精神错乱的主题。
原文开头
The Victorian poet was startlingly modern. By James Parker The appointment of a new medicine man is a dicey moment in the life of a tribe. Get it wrong, pick the wrong guy, and your deepest spiritual diseases will go not only untreated but undetected. Get it right, and there’s at least a chance of an accurate diagnosis. The Victorians, rather surprisingly, got it right. In fact, for all their pomposity and stolidity and leadenness of soul, and for all their windbag religiosity, they nailed it. They chose as their national poet a vagrant and depressed semi-atheist from a family of lunatics. They chose Alfred, Lord Tennyson. …
摘自《大西洋月刊》(The Atlantic)第337卷 第3期 · 2026年3月3日,James Parker。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。
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