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crowd dresses the part. Clambering up the stairs to the standing section, where I scored a last-minute, €15 ($17.50) perch to watch Mozart’s Die Entführung aus dem Serail, I pass women in gowns and men in tuxes—at least three of them with gilded canes. The coat check is stuffed with so much fur, it looks like a petting zoo. But as the altitude rises, the audience transforms. Up in the cheap seats, it’s not all sequins and pocket squares. The mil- lennials and Generation Z opera lovers who make up the new class of Viennese tastemakers are dressed in jumpsuits and leather jackets. I overhear French, German, Polish, Portuguese and Russian. …
摘自《彭博商业周刊》(Bloomberg Businessweek)2026年1月刊,Mattie Kahn。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。