原文开头
GREGG ARAKI HAS never been afraid of controversy. Since his 1987 microbudget debut, Three Bewildered People In The Night, his films have explored the nihilistic, hyper-sexual underside to queer teenage life, in all its youthful confusion. In his ‘Teen Apocalypse Trilogy’ — Totally F***ed Up (1993), The Doom Generation (1995) and Nowhere (1997) — he puts wild sex, cartoon violence and alienation to the fore, drenching his worlds in pop-art colour and stylised chic. Some of his movies have narrowly escaped outright bans, been slapped with NC-17 ratings in the States, or referred to by Roger Ebert as “disgusting”. …
摘自《帝国》(Empire)第457期 · 2026年9月刊,Christina Newland。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。