原文开头
As with their extraordinary film I Saw The TV Glow, writer-director Jane Schoenbrun wears their influences on their sleeve, from Friday The 13th to Videodrome via Mulholland Drive and Sunset Boulevard. But this time there’s more of a playfulness, as if, via Einbender’s obsessive cinephile Kris, Schoenbrun is teasing the audience for knowing what a split diopter looks like and smugly pointing it out to their movie-going companion (if you know, you know). An introductory montage depicts the fictional Camp Miasma franchise via memorabilia, from VHS tapes to a wind-up toy of Little Death, the metal-box-headed killer. …
摘自《帝国》(Empire)第457期 · 2026年9月刊,Unknown。仅引用开头一小段供了解文章,版权归原刊所有,全文请阅读原刊。